Test your MusicIQ here! Preminger was so pleased with Raksin's score that he not only did not dismiss Raksin, but also collaborated with him on four additional films.[13]. Inspired by a "Dear John" letter he received from his wife over the course of that weekend, Raksin composed the haunting theme, also entitled "Laura",[14] for which Johnny Mercer later wrote lyrics. [7], George Sanders and Laird Cregar were announced as the leads. In 2005, a Bollywood remake entitled Rog was released, directed by Himanshu Brahmbhatt and starring Irrfan Khan and Ilene Hamann. Anyway, the picture on the whole is close to being a top-drawer mystery.

Clifton Webb was nominated for the Academy Award for Best Supporting Actor but lost to Barry Fitzgerald in Going My Way. Recalling the differences of opinion Caspary and he had, Preminger opted not to involve her until the first draft was completed. Web. Although the pace, plot, and dialogue have all of the unmistakable earmarks of a stage play, the origins of this movie were a novel, and five screenwriters. McPherson examines Laura's clock and finds the shotgun that killed Diane. The character of Waldo Lydecker appears to be based on the columnist, broadcaster and "New Yorker" theater critic, One of this movie's most durable legacies was its theme song "Laura's Theme", composed over one weekend by, Twentieth Century Fox studio head Darryl F. Zanuck was unhappy with Producer and Director Otto Preminger's first cut, and insisted that a new ending, in which it was revealed Lydecker had imagined the entire story, be shot. Edwin Mellen Press. Laura was adapted as a radio play for two different episodes of Lux Radio Theater, the first starring Gene Tierney, Dana Andrews, and Vincent Price (February 5, 1945), and the second starring Gene Tierney and Victor Mature (February 1, 1954). A February 24, 1944, a "Hollywood Reporter" news article named, "The Screen Guild Theater" broadcast a thirty-minute radio adaptation of the movie on August 20, 1945, and February 23, 1950, with. Zanuck, with whom Preminger previously had clashed, returned to the studio and was angered to discover Goetz had rehired his nemesis. An episode of Magnum, P.I. Preminger, Otto and Bogdanovich, Peter, "The Making of, This page was last edited on 11 October 2020, at 06:16.

It met with unanimous negative reactions, which was attributed to Radziwiłł's poor acting.[22]. Zanuck relented and allowed Preminger to reinstate his original finale, telling him, "This is your success. To Preminger's dismay, he cast Laird Cregar, known for his portrayal of Jack the Ripper in The Lodger, in the key role of Lydecker. [12], Zanuck was unhappy with Preminger's first cut of the film and insisted it be given a new ending, in which it was revealed Lydecker had imagined the entire story, but following a screening of the Zanuck version, columnist Walter Winchell approached the studio head and told him, "I didn't get [the ending]. Marlene Dietrich expressed interest in portraying the title character, but without the attachment of Dietrich or another major star, Caspary was unable to find a producer willing to finance a national tour or a Broadway run, and she abandoned the project.
Angered, Preminger gave Raksin one weekend to compose an …

She had become his platonic friend and steady companion, and he used his considerable fame, influence, and connections to advance her career.

Caspary and he disagreed about the direction they should take it, and she opted to collaborate with writer George Sklar, instead. In retaliation, he announced that Preminger could produce Laura, but not direct it, and assigned him to helm In the Meantime, Darling, instead. McPherson concludes that the body assumed to have been Laura was in fact Redfern, brought there by Carpenter while Laura was away in the country. Following a screening of the Zanuck version, columnist Walter Winchell approached him and told him, "I didn't get it (the ending). [8], Interim studio head William Goetz, serving in that capacity while Darryl F. Zanuck was fulfilling his military duty, assigned Preminger the task of developing the books for the screen. The trivia items below may give away important plot points. – Nominated. Joseph LaShelle won the Academy Award for Best Black and White Cinematography.
The lyrics were written by Johnny Mercer after the film made the tune popular. The first 10 notes of the song are sometimes "quoted" during jazz solos, especially since Dizzy Gillespie did it during his "Perdido" solo at the famous Massey Hall concert in 1953. But as the camera follows him, you can clearly see it's a movie set because the gap between both sides of the wall shows the wooden wall supports.

[10] Zanuck was similarly campaigning for actor Reginald Gardiner to play the role of Shelby, though Fox contractee Vincent Price finally got the role.   Soundtracks, A June 19, 1990, "Hollywood Reporter" news item reported that two minutes of footage that had been cut from this movie were restored when it was released on LaserDisc. ", There was tension immediately between Producer and Director, The handheld game that Lt. McPherson uses to stay calm is "Colmor's Baseball Dexterity Puzzle." Preminger filmed the actor delivering a monologue from the Coward play, and Zanuck agreed that Webb was perfect for the role. The script was written by Mel Dinelli. In 2002, Roger Ebert of the Chicago Sun-Times wrote: Film noir is known for its convoluted plots and arbitrary twists, but even in a genre that gave us The Maltese Falcon, this takes some kind of prize ... That Laura continues to weave a spell – and it does – is a tribute to style over sanity ... All of [the] absurdities and improbabilities somehow do not diminish the film's appeal. This movie was copied by Bollywood and made as Rog. He also learns that Lydecker was jealous of Laura's suitors, using his newspaper column and influence to keep them at bay.

The site's consensus reads: "A psychologically complex portrait of obsession, Laura is also a deliciously well-crafted murder mystery."[19]. The film's director, Otto Preminger, had originally wanted to use Duke Ellington's "Sophisticated Lady" as the theme, but Raksin was not convinced that it was suitable.

All the while, Treadwell is carrying on with Carpenter and giving him money. One of this movie's most durable legacies was its theme song "Laura's Theme", composed over one weekend by David Raksin. Included amongst the American Film Institute's 1998 list of the four hundred movies nominated for the Top 100 Greatest American Movies.

[18], Rotten Tomatoes reports that Laura has a 100% fresh rating, based on 60 reviews, with a weighted average of 8.76/10.

Mercer was also a co-founder of Capitol Records. The director wanted to use "Sophisticated Lady" by Duke Ellington for the main theme, but Raksin objected to the choice. Savannah Civic Center - Johnny Mercer Theatre, Savannah, GA. Like a trapped animal, Laura darts a look around for a hiding place. According to Mercer, he had not yet seen the movie when he wrote the lyrics but was aware that it was a romantic, somewhat haunting story. Filming began on April 27, 1944, and from the start, Mamoulian had problems with his cast. NOTE: The original poster of this trivia entry is oblivious to the fact that this movie's origin is a stage play, which was then adapted into a novel. The film's director, Otto Preminger, had originally wanted to use Duke Ellington's "Sophisticated Lady" as the theme, but Raksin was not convinced that it was suitable. Lydecker insults McPherson and is sent away by Laura, but pauses on the stairwell outside. Alfred Newman, music director for Fox, convinced Preminger to give Raksin a weekend to compose an original tune. Otto Preminger had originally wanted to use Duke Ellington's "Sophisticated Lady".

Connections In addition, Laura was presented twice on The Screen Guild Theater (August 20, 1945, and February 23, 1950), both episodes starring Gene Tierney, Dana Andrews, and Clifton Webb.

The American Film Institute named it one of the 10 best mystery films of all time, and it also appears on Roger Ebert's "Great Movies" series.[5].

| After he leaves, Lydecker emerges from another room and attempts to kill Laura, saying that if he cannot have her, no one can. Preminger liked the high-society setting and the unusual plot twist, but he felt the work needed a major revision and offered to rewrite it with its author. The music, composed by David Raksin for the 1944 movie Laura, which starred Gene Tierney and Dana Andrews, is heard frequently in the movie. She finds a dress in her closet that had belonged to one of her models, Diane Redfern. titled "Skin Deep", written by joint series creator Donald P. Bellisario, used a similar premise.

| He favored Clifton Webb, a noted Broadway actor, who had not appeared before the cameras since 1930, and who at that time was performing in the Noël Coward play Blithe Spirit in Los Angeles.


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