A huge hit, 22 years before Mitch Miller got his mitts on it. Sly and the Family Stone: “Family Affair” No one mixed it up like Dallas-born Sylvester Stewart (Sly) and his interracial band. Okay, so what do we mean by “song”? A song about a woman trying to take advantage of a man. “Paradise” set the tone for Escovedo’s future work—vivid imagery wrapped in dramatic musical flourishes. Dream Hotel. Sign in or Registerif (require.s.contexts._.config.paths['idcta']) {require(['idcta/idcta-1'], function(idcta) {if (idcta && typeof idcta.addUserOrigin === 'function') {idcta.addUserOrigin('id4-cta-b6f1d90b-8e4c-4113-8da4-1b137525a5f3');}});}, https://ichef.bbci.co.uk/images/ic/960x540/p01br7jb.jpg, https://musicbrainz.org/artist/7289d10d-d8d2-41ff-8308-c56ec9346e07, Trailer for Texas with the BBC Scottish Symphony Orchestra, https://ichef.bbci.co.uk/images/ic/240x135/p055t9zb.jpg, Texas play a special concert accompanied by the BBC Scottish Symphony Orchestra, https://www.bbc.co.uk/music/audiovideo/popular/p055s1m6, Texas and The BBC Scottish Symphony Orchestra - Summer Son, https://ichef.bbci.co.uk/images/ic/240x135/p055hztp.jpg, Performed live at The Barrowland Ballroom, https://www.bbc.co.uk/music/audiovideo/popular/p055hz23, https://ichef.bbci.co.uk/images/ic/240x135/p02klf86.jpg. Charlie Christian (with Benny Goodman) “Breakfast Feud”.

Despite the success of Southside, the follow-up albums Mothers Heaven (1991) and Ricks Road (1993) were less successful, peaking at No. What do Jethro Tull and Manfred Mann have in common with Albert, Freddie, and B. They were founded in 1986 by Johnny McElhone (formerly of the bands Altered Images and Hipsway) and Sharleen Spiteri on lead vocals. Roger Miller: “King of the Road” Though Miller had written hits for others, the Fort Worth singer was known for novelties like “Dang Me” until this finger-popping 1965 smash about a “man of means by no means” came along.

Let us know what you think of the Last.fm website. Jason Boland & The Stragglers' song about the comforts of the lonestar state. Song about a broken heart and broken relationship.

Prayer For You.

That Erickson was fresh out of the Texas state mental hospital in 1975 when he wrote and recorded it only makes its dreamworld innocence that much more poignant.

Jeannie C. Riley: “Harper Valley PTA” The Anson country singer’s sexy but righteous unmasking of small-town double standards (“Then you have the nerve to tell me you think that as a mother I’m not fit/Well, this is just a little Peyton Place and you’re all Harper Valley hypocrites”) was one of the biggest phenomena of the sixties. Though this was released in 1927, two years before he moved to Kerrville hoping that benign weather would cure his tuberculosis, Rodgers’s million-seller (10,000 qualified as a major hit at the time) suggests that he may not have been a native Texan, but he got here as soon as he could; besides, he’d spent much time in the state during his hoboing days. Finally, there’s Doug Sahm’s great, and always underappreciated, rock vocals—hard and fast, with a Little Richard-like intensity, but also still melodic—and his delightfully cockeyed lyrics and title.

His 1973 debut, which included this endearing biographical track, told the rest of the world. No wonder that though nearly everything else in this style now seems a period piece, “Wasted Days” still sounds both urgent and eternal.

Keep It Country!!! The song illustrated his hardships and his encyclopedic musical mind.

In the end, he poured so much of himself into his songs that there was almost nothing left but a shell. The band released their debut album Southside in 1989, along with the debut single "I Don't Want a Lover" which was an international hit, reaching the top ten in the UK and other high charting positions in Europe.

30th Anniversary of Southside! Lists of the greatest country bands, artists, and songs, ranked by fans like you. And thus was born the modern cheating song. Freddy Fender “Wasted Days and Wasted Nights”. In order to have the best experience, please upgrade to a more modern browser. For its intensity and stark sadness, his 1927 recording of the eighteenth-century crucifixion hymn stands like a beacon among the thirty recordings he left behind. Freddie King: “Hide Away” Nothing showcased the Texas-Chicago blues connection like Gilmer guitarist Freddie King’s 1961 “Hide Away,” which liberally borrowed from other sources and, in so doing, created a new blues standard. A song about life's troubles and just pushing on through. Don Santiago Jimenez, one of the San Antonio architects of pre-war conjunto, wrote and originally recorded this betrayed lover’s blue and bitter ranchera in 1937. Just ask Ray Charles.

Faith. But if Lynn’s voice suggests just enough of that genre’s youthful innocence to sneak her into the mainstream, everything else—the lyrics, the band, her delivery—offers the angry defiance, wisdom, and resolve of the blues. It Makes No Sense.”. Big Sandy songster Thomas, who was also known as Ragtime Texas, was already in his fifties when he cut his remarkable late-twenties recordings. Sam the Sham and the Pharaohs “Wooly Bully”. Did it stand the test of time? And Jacquet’s still at it.

With one spare, simple, acoustic ballad, Nelson established the mid-seventies “outlaw” movement and took country music back from the Nashville hacks.


A master of improvisational, stream-of-consciousness blues, Houston’s Third Ward street poet was the bridge between acoustic and electric, rural and urban. Johnny Bush: “Whiskey River” Houston native Bush’s huge, throbbing tenor—they didn’t call him the Country Caruso for nothing—gave the master of dance hall heartbreak his biggest hit in 1972, even if it did later become better known as Willie Nelson’s theme.

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Fool For Love .

well, “the dust that Pancho bit down south/Ended up in Lefty’s mouth.” Such literate tragedy could only come from a haunted heart, and Fort Worth’s Van Zandt was an outrageously talented songwriter with a body of work gripped by melancholy. So get riled up if you have to, and have fun.

Rondels: “If You Really Want Me To I’ll Go” Despite his apprenticeship in the only white band working Fort Worth’s hard-knocks Jaxbeer Highway R&B scene, bandleader Delbert McClinton enjoyed his first brush with fame with this out-of-character little pop-country-folk ballad from 1965. A song about a cheating man and the woman that puts up with it. But it was the stirring lyrics (“There is a sorrow cleft like a dagger into my thoughts”) and haunting, innovative three-part harmonies that probably turned this desolate memory of rejection into their signature song. Those spaces proved to be the silence heard ’round the world. To this day, Texas bands don’t go to the dance hall without it. The band's fortunes changed in 1997 with the release of their White on Blonde album which entered the UK Albums Chart at number one and became their biggest seller. Flaco Jimenez “Ay Te Dejo en San Antonio”. We sure did. Psychedelic music and, not coincidentally, LSD were just starting to take hold when these acid-rock pioneers made the scene.

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