His wife Elise (Gretchen Mol) asks for more of his time with the family. After reminiscing a bit, he walks into a convenience store where a lottery contestant, Cash, barges in saying that he has a winning ticket. The site's critical consensus reads, "A Family Man has some worthy ideas, but they're bungled in a middle-of-the-road melodrama populated by thinly sketched -- and occasionally downright unlikeable -- characters. Butler tries his best, but never strong enough to make you stop imagining what someone else could have done with the part. That kind of introspective philosophizing tends to lead a film toward ambiguity and open-ended storytelling, toward contradiction and complexity, sometimes towards audience frustration. He has two default expressions, a determined scowl and a furrowed-brow "Oh, my gosh, what does this mean?" These are not questions the film seems too interested in exploring, and maybe it's better off for not trying. He's president of P. K. Lassiter Investment House and not a tire salesman at Big Ed's. Christmas morning, Jack wakes up next to his old girlfriend, in some sort of parallel universe, in a 12-year marriage. A Family Man (previous title The Headhunter's Calling) is a 2016 American drama film directed by Mark Williams, in his directorial debut, and written by Bill Dubuque. Jack Campbell, a successful and talented businessman, is happily living his single life. Whenever the movie reaches for poetry it lands somewhere in a chain drugstore's greeting card aisle, trying to choose between one that shows an adorable child laughing in a Photoshopped field of sunlit daisies, one that tries for gallows humor but isn't really that funny, and a third with a quote about mortality and wisdom only seems thoughtful because it's written in cursive. [3] Nicolas Chartier, Craig Flores, and Patrick Newall would also be producing the film. In November 2012, Bill Dubuque's first script The Headhunter's Calling was revealed. And you absolutely have to put it over, because if the actor who's at the center of nearly every scene in a moralistic tearjerker isn't dazzling in every frame, the picture will just lie there radiating anxious boredom, like a dog that wants to go outside but can't get anyone's attention. And most importantly he doesn't wake up in the morning with kids jumping on the bed. With Gerard Butler, Gretchen Mol, Alison Brie, Anupam Kher. Meanwhile, Lynn takes the opportunity to tap into his clients and scores. The less artistry there is, the more phony and self-serving the movie seems. If Dane's son dies, or if his client doesn't get that job, or if his wife divorces him, does that mean he deserves whatever misery befell him because he spent so much time at the office? The black characters are always the ones with all the insights into the occult, but they never get to be the occulted. Jensen works harder and spends more time at the office to try to get the promotion, but it does not sit right with Elise. The murderer always looks catatonic, with a severe skin rash. Butler has only himself to blame for that last error. But the script wavers between convincing, mostly silent moments of interaction and cringe-inducing, spell-it-all-out dialogue. He spends more time with his son, which causes his numbers — a prerequisite of the promotion — to drop. He's supposed to be mesmerizingly charismatic and sly in the "Master of the Universe" scenes where he's bamboozling people, schooling eager underlings, and trying to win a cutthroat contest (Dane's boss, played by Willem Dafoe, pits him against a coworker, played by Alison Brie, with the promise that he'll promote the winner of a sales contest to the position of general manager). There are a few excellent films that tell that story, a number of watchable but forgettable ones, and so many bad ones that we'd better not start listing them here because we might not know where to stop. Parents need to know that The Family Man is a 2000 movie starring Nicolas Cage as a wealthy investment banker who is given the opportunity to experience what his life would have been like had he decided to stay with his college girlfriend instead of going off to London to study economics. The film culminates with Ryan falling into a coma before getting better, and Jensen losing his job at Ed's firm, due to not making profit. One family member is left alive, while the rest has been brutally murdered. [7] On September 2, 2015, it was announced that Gerard Butler would star in the family drama film The Headhunter's Calling, to be directed by Mark Williams, who would make his debut. One day he wakes up in a new life where he didn't leave his college girlfriend for a London trip. A headhunter whose life revolves around closing deals in a survival-of-the-fittest boiler room, battles his top rival for control of their job placement company -- his dream of owning the company clashing with the needs of his family. He has everything, or so he thinks. He's unconvincing in nearly every scene except ones where life punches him in the gut and he has to be quiet and think about what just happened to him. Ryan is later diagnosed with cancer, which shocks Jensen. Jensen starts his own company and is also invested with his family.

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