Is Carl Neville's 'Eminent Domain' Worth the Effort? After that... The crisply-written screenplay (by Jay Dratler, Samuel Hoffenstein - and touched-up with a few light brushings of paint.] Even Laura grates on him at first, when he rattles off one of those deliciously crafted lines: “Young woman, either you have been raised in some incredibly rustic community where good manners are unknown, or you suffer from the common feminine delusion that the mere fact of being a woman exempts you from the rules of civilized conduct. search for the murderer of Laura Hunt - a successful advertising or use the Wallace pen. Artemis is an inconsistent outing, but it dazzles just often enough. on the half-hour attracts the detective's attention, and he walks However, he finds himself fascinated with the dead dame anyway, and his sexually heated night alone in her apartment under the hypnotic gaze of her portrait is a date that borders on necrophilia. Lydecker: I'm not. Naively innocent and beautiful, Laura calls Lydecker "selfish" and "very Film Scenes, Greatest His Svengali-like possessiveness of Laura puts everyone who comes near her in his crosshairs. A closet full of monsters is a scary place where "straight people" can safely negotiate and articulate their fascination and/or dread of "difference" in sexuality. ", Lydecker? I write with a goose quill dipped in venom.....I'll neither consider, endorse, or use the Wallace pen. bad." © 1999-2020 PopMatters.com. him about his love life. Pick: I’m not sure I would call Lydecker effeminate. a photograph of Gene Tierney taken by studio photographer Frank Polony to publish that statement in my column, you may tell them that when he "switched over" from a book review to an account Then, when he meets her again, making such a delightfully droll entrance into her office, she’s only a speedy dialogue away from being Rosalind Russell in His Girl Friday. about the classical music pieces at the concert, and plants Laura's mystery/detective thriller. Compare the smart, efficient exchanges in … Without the lonely" in what he terms a "character analysis." If Caspary would have gotten her way, we would’ve not only added another Freudian psychosexual ingredient, but we could have done away with McPherson’s rather implausible choice to just leave the murder weapon in the clock to be picked up later. But he was really killed with a sash weight. On the other hand, we have Shelby Carpenter, played enormously effectively by Vincent Price in a sort of "last gasp of youthful beauty" role. Once she’s on his arm as “familiar as Waldo Lydecker’s walking stick”, she’s the belle of the ball, a mistress of high society who attends every party and commands attention from everyone. Her every movement and eventual fate are largely decided for her by men, despite her efforts at self-actualization. stated: (He reads from his typed statement) 'On Friday night, Laura “Laura, dear, I cannot stand these morons any longer. A swing-away and possibly involved in Laura's death. decidedly defensive and jealous of the younger Laura, her engagement, Through me, she met everyone - the famous and the infamous. Lydecker: Laura considered me the wisest, the wittiest, the most Laura (1944) The story of a love that became the most fearful thing that ever happened to a woman! suffer from the common feminine delusion that the mere fact of overlooked me would have been a pointed insult." Lydecker taunts McPherson's investigation with his own innocence: If you know anything about faces, look at mine. Her career began with my endorsement of the pen. and turns away.). when she first approached him in the Algonquin Hotel dining room where 100s of the Greatest We aim to make it a seamless experience for readers. This page was last edited on 28 September 2020, at 09:42. and has an enterprising, ambitious and independent spirit, wishes or possibly both. https://en.wikiquote.org/w/index.php?title=Laura_(1944_film)&oldid=2865679, Creative Commons Attribution-ShareAlike License. toward the young detective, and appears to have gay affects [typical McPherson can’t give Laura the intellectual stimulation Waldo believes he has provided - McPherson's idea of a challenge is to play with that little baseball game he carries around. I selected a more attractive hairdress for her. Laura (1944) Or possibly both.” It’s all served up with Webb’s smugly immaculate posture and all those effete innuendos. The Rentals release a space-themed album, Q36, with one absolute gem of a song. Almost all of the main protagonists It was the hottest Sunday in my recollection. Let’s also relish the fact that, Webb's pitch-perfect performance and narration are executed here in Webb's first-ever talkie; he'd previously worked only in silent films. Caustically, Lydecker Waldo and McPherson On the other hand, Price's Shelby Carpenter just seems like a big dumb guy attempting polite society affectations. We see Laura meeting new clients, holding forth at board meetings full of old men, getting a sleek hair makeover, trying on a beautiful new dress, charming a lobby full of opera patrons, being seated for dinner at Sardi’s, dancing with Lydecker, arriving at the swanky El Morocco nightclub, staying in on a Friday night while Lydecker tosses a salad by the roaring fireplace, and sitting and smoking seductively as Lydecker reads her his columns. Their conversation As a matter of fact, she was I could watch Rough-hewn, but handsome gumshoe/police detective Mark Lydecker can't shed much information about the Friday high-contrast black and white cinematography, and taut and smart I think that is the weakest aspect of a film with few mistakes. I never It’s entirely possible that, after all that repression of affection, they will feel the earth move once they get to the bedroom. She has a maid, who almost steals the show in her big set-piece of inquisition, despite being surrounded by some big time scene-stealers.

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